The clay armature is shaped to provide a core for the wax to be worked on.
The wax is shaped into the form of the figure.
The details are worked into the wax until the from is complete and ready for casting.
At some mysterious point in time, the figure is complete in its wax incarnation.
The next step is breaking down the whole wax into pieces that will have runners and risers of wax connected to them so the bronze can flow in where the wax burns out.
The waxes are then buried in plaster to create a mold for the pour. Each plaster mould is wrapped in chicken wire to maintain its structural integrity.
The plaster casts are then packed in a kiln and heated for the wax to burn from them.
While they are slowly heating and burning out the wax (too fast and the plaster could crack and destroy the mould), the furnace is lit with to begin melting the metal in the crucible.
Pure grade silicon bronze as a raw material was pretty expensive, so Matt was creative in his process. He would use gunmetal that had been salvaged off old boats and add copper to it to create the colour he wanted. So everything old was new again.
Below is a tub of the rescued gunmetal he purchased from the scrap metal merchants.
And after countless hours of grinding, welding and polishing she is complete.